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Chides of March: Choice Female Releases from the Very Recent Past
The Launch of OFFMUTE Label Represents New Horizons for Southeast Asian Musicians
Close Encounters: A Retrospective of Turbo Goth’s “Destroy Us All”
Before the Ink Dries: Peryodiko’s Self-Titled Debut in Retrospect
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TRIN YEAR 5
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TRIN RECOMMENDS
BEST TRACKS
BEST ALBUMS
REVIEWS
TRACKS
ALBUMS
MUSIC VIDEOS
FEATURES
SHOWS
TRIN YEAR 5
BUY TICKETS
FESTIVALS
POCKET SHOWS
COMMUNITY
CONNECT
FACEBOOK
TWITTER
INSTAGRAM
SPOTIFY
SOUNDCLOUD
YOUTUBE
SUBMISSIONS
MESSAGE US
Features
Essays
,
Features
Shut-Mouth Strikes Again
Essays
,
Features
Exploring LGBTQ+ Narrative in Filipino Music: Where are We so Far?
Essays
,
Features
Sound Affects: A Few Haphazard Notes on the Live Show
Essays
,
Features
Understanding Pamphleteer and the Enduring Appeal of Flawed Persona
Features
,
Showcases
Thailand’s Bangkok Music City: A New, Bustling Hub Championing Asian ‘Indie’
Features
,
Get To Know
Get To Know: 새소년 Se So Neon
Essays
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Features
Seeking Comfort in Remembering: Notes on Skymarines’ “Dear Moon”
Essays
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Features
The Momentous, Panoramic Delight of ‘Infinite Summer’
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Get To Know
Get To Know: Pamcy
Features
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Get To Know
Get To Know: Dominic Chin
Essays
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Features
On K-Pop and Little Joys
Features
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Get To Know
Get To Know: TYNT
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