TRIN RECOMMENDS
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REVIEWS
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MUSIC VIDEOS
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4AD: Bills & Aches & Blues & Beyond
Chides of March: Choice Female Releases from the Very Recent Past
The Launch of OFFMUTE Label Represents New Horizons for Southeast Asian Musicians
Close Encounters: A Retrospective of Turbo Goth’s “Destroy Us All”
SHOWS
TRIN YEAR 5
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TRIN RECOMMENDS
BEST TRACKS
BEST ALBUMS
REVIEWS
TRACKS
ALBUMS
MUSIC VIDEOS
FEATURES
SHOWS
TRIN YEAR 5
BUY TICKETS
FESTIVALS
POCKET SHOWS
COMMUNITY
CONNECT
FACEBOOK
TWITTER
INSTAGRAM
SPOTIFY
SOUNDCLOUD
YOUTUBE
SUBMISSIONS
MESSAGE US
Essays
Essays
,
Features
Raw Material: Francis Reyes and “In The Raw” Remembered
Essays
,
Features
Narda A.D.: Life After Death
Essays
,
Features
Redefining the Protest Anthem in the Time of a Pandemic
Essays
,
Features
Of Misanthropy-in-Reverse and Other Lenses: On Ray’s “Pink”
Essays
,
Features
,
Interviews
This House Shall Not Be Silent
Essays
,
Features
Shut-Mouth Strikes Again
Essays
,
Features
Exploring LGBTQ+ Narrative in Filipino Music: Where are We so Far?
Essays
,
Features
Sound Affects: A Few Haphazard Notes on the Live Show
Essays
,
Features
Understanding Pamphleteer and the Enduring Appeal of Flawed Persona
Essays
,
Features
Seeking Comfort in Remembering: Notes on Skymarines’ “Dear Moon”
Essays
,
Features
The Momentous, Panoramic Delight of ‘Infinite Summer’
Essays
,
Features
On K-Pop and Little Joys
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